Volver a la parte superior.
Zoom poisonwasthecure:

The Head of Medusa (detail) Peter Paul Rubens ca. 1617-1618

poisonwasthecure:

The Head of Medusa (detail) Peter Paul Rubens ca. 1617-1618

08.28.14 7504
Zoom
08.28.14 10
Zoom arquilatria:

Oskar Schlemmer’s Triadic Ballet, 1927

arquilatria:

Oskar Schlemmer’s Triadic Ballet, 1927

08.28.14 309
Zoom void-dance:

Painting by Francis Bacon: Lying Figure with Hypodermic Syringe (1963)

void-dance:

Painting by Francis Bacon: Lying Figure with Hypodermic Syringe (1963)

08.28.14 21
08.27.14 3017
Zoom
08.27.14 3185

escapekit:

Tornadoes of Light

Martin Kimbell is a photographer from England who utilizes LEDs and long exposure techniques to create airborne light forms that seem like trails of otherworldy spacecraft. 

08.27.14 1524
Zoom thirdorgan:

Jean Marembert (France, 1904-1968)
illustrations from 1927 by Jean Marembert for Petrus Borel’s 1927 edition, “Champavert, contes immoraux” (nouvelles, 1833)

thirdorgan:

Jean Marembert (France, 1904-1968)

illustrations from 1927 by Jean Marembert for Petrus Borel’s 1927 edition, “Champavert, contes immoraux” (nouvelles, 1833)

08.27.14 249
Zoom scottlocke:

Scott Locke // Handmade Collage // 2014
7½”x9½”

scottlocke:

Scott Locke // Handmade Collage // 2014

7½”x9½”

08.27.14 358
08.27.14 33
Zoom nataliakoptseva:


Apollinaris M. Vasnetsov (1856-1933): The Ballad. Ural. 1897

nataliakoptseva:

Apollinaris M. Vasnetsov (1856-1933): The Ballad. Ural. 1897

08.27.14 120
Zoom blackpaint20:

Death appeases All
 by Marian Wawrzeniecki, c.1905 

blackpaint20:

Death appeases All

 by Marian Wawrzeniecki, c.1905 

08.27.14 683

theworkingtools:

ghaas:

From the Scarlet Book of Freemasonry, 1880

This book is the realness.

08.26.14 239
Zoom
08.23.14 470

asylum-art:

Benjamin Carbonne 

Facebook

Benjamin Carbonne was born in 1970 in France. Self-taught, he invested in 20 years this art, “says” what bothers him, the key to sometimes expresse violence, or that another world and eventually give way to something else in him. The artist paints often tormented beings, this period  of his work will focus on the sometimes sweet and sensitive, but also very often torn, torn or distorted with pain faces, the cry, the need for expression. In 2009, this is the command of a “pieta” that will cause a different body work.

After hitting with intensity expression of what could be more lively, more skinned him like humanity, Benjamin naturally takes this new way to work on the other bodies or faces, revealing all their power in contrast depth and lightness, precision and pictorial space to the imagination.

08.23.14 2365